MONODREAD’S MAKE IT RIGHT ON REGGAE.HR CHARTS

REGGAE.HR

JAH BILLAH FT IYANO IYANTI – MAKE IT RIGHT – PROCESS REBEL RMX

MSDT 008

MSDT 010
JAH BILLAH FT IYANO IYANTI – MAKE IT RIGHT – PROCESS REBEL REMIX

Process Rebel dives into the deep end of rootical dubstep with his remix of the Iyano Iyanti, Jah Billah produced, ’Make It Right’. Alternating between spacious breakdowns and rolling groove, Iyanti’s voice sails through the dubbed out riddim elements to construct a haunting and deep tune. One from and for the heart!

processrebel@gmail.com
processrebel.net
soundcloud.com/processrebel
facebook.com/processrebel
twitter.com/processrebel

SUNS OF DUB – JAH PRESENCE EP

DON FE- I-VOLUTION

WHO ARE WE?
Don Fe is a UK born musician/producer who for the last 20 years has been based in Southern Spain. This is where he spends almost all his time playing, recording and producing music that is played over some of the worlds biggest soundsystems.
Organic Roots Records is a relatively new Madrid based label dedicated to the expansion of roots, dub and sound system culture. This is to be their second release after a 10 inch featuring Mahom and alongside Vibronics and Don Fe.
WHAT WE WANT TO DO
Music is food for the soul, and with this album Don Fe nourishes us with a refreshing blend of modern production techniques alongside the essence of roots. 14 tracks (7 flute/melodica instrumentals and 7 dubs) heavily influenced by the sounds of the 80’s and 90’s UK sound system scene it aims to provide a fresh take on roots music without losing sight or respect for the essence of it’s foundation.

Another of the main objectives of the project is to develop a more direct link from the artist / producer to the listener, which in turn nurtures a healthy, fair and sustainable relationship with the record label – something which is often hard to find in todays world (both for the artist / producer and the label) due to the small nature of the roots / dub scene and the ever increasing costs of production, distribution etc.

The album is already recorded and therefore we only need to raise the funds for a run of 1000 copies and the necessary promotion/distribution costs.

INI KAMOZE – GENERAL – DUTTY HANDS & CRANKY GENERAL – REMIX

SHINEHEAD – MAMA USED TO SAY (PALOV & MISHKIN FT PEPPERY) REMIX

YOGA NIDRA GUIDED MEDITATION

ALEX DAVIES ON BIOEFFECTS OF SOUND

Audio in the region of 20Hz-20Khz can create psychological disturbance in individuals at levels substantially below those required for bodily discomfort or trauma.

From the thunderous hypnotic drumming of Zulu warriors to riot police beating their batons on shields whilst marching towards confrontation, the psychological effects of sound have been used extensively throughout history as a warfare device. Noise has always been experienced as ‘destruction, disorder, dirt, pollution, and aggression’. All cultures associate noise with the idea of the weapon, blasphemy and plague. “Behold, I will bring evil upon this place, the which whosoever heareth, his ears shall tingle” (Jeremiah 19.3)”. “When the drums of the resurrection sounded, they filled the ears with fear” (Al-Din Runir, Diavani, Shansi Tabriz).

Recently, psycho-acoustic warfare was allegedly used in the Waco siege at the Davidian compound in Texas, where it is said that the FBI used sounds of babies crying, dentist drills and a variety of other unpleasant sounds to mentally influence their opponents. The Waco compound was allegedly bombarded for long durations by these sounds via large public address systems.

Although this type of sonic assault can have a profound emotive effect on individuals, it relies heavily on the individuals particular experiences. This is where the actual physiological effects of sound are unique. Physiological changes in the body only start to occur at greater sound pressure levels. At about 120 dB discomfort begins in the ear and pain occurs when levels reach approximately 140dB.The eardrum subsequently ruptures at levels of about 160 dB. Pain becomes evident when the middle ear system is mechanically displaced beyond its normal operational limits

These acoustic effects are only apparent on the ear mechanism. The ear is a very easy structure to attack. Due to evolutionary processes the ear is particularly sensitive to midrange frequencies inherent in the human voice. Subsequently, all that is needed is an increased sound intensity at these frequencies for the threshold of pain to be readily reached. This is also related to the properties of the acoustic reflex in which a small muscle in the middle ear pulls the stirrup back from the oval window and subsequently reduces the amount of acoustic energy transmitted to the middle ear. This however only has a significant impact at frequencies lower than about 1000 Hz so that frequencies between 500 to 4000 Hz, the range at which the auditory center is most sensitive, are largely unaffected.

The acoustic effects on the body are more complex. Research has concluded that with low frequency sound in the region of 50 — 100Hz at levels of 150dB or more, intolerable sensations in the chest and thoracic region can be produced–even with the ears protected.

Acoustic Trauma : Bioeffects of Sound
by Alex Davies

JUNO RECOMMENDS JAH BILLAH DUBS

Two Magu Shan Dub Tong releaseS in Juno’s June Dub Recommendations:
MSDT 007 Jah Billah ft Iyano Iyanti: Make It Right – a 140 BPM bass anthem and MSDT 006 Jah Billah ft Iyano Iyanti: Chase Babylon (Dr Obi Dubs) – sound system style purely analog dubs.
JUNO JUNE

MSDT 009 BILLAH FT IYANO IYANTI – MAKE IT RIGHT – MONODREAD DUB

MSDT 009

MSDT 009
BILLAH FT IYANO IYANTI – MAKE IT RIGHT – MONODREAD DUB (4:27)

DATE:
29 May 14

Dub king killah Monodread (Bass-Ul-Ulema, Sarajevo) pon di case again.

MSDT 008 JAH BILLAH FT IYANO IYANTI – CHASE BABYLON – BUDS KRU DUB

MSDT 008
MSDT 008 Jah Billah featuring Iyano Iyanti:
Chase Babylon (Buds Kru Dub)

Buds Kru link up with digital dub mix of Chase Babylon ina fine style.

Lyrics & vocals: Iyano Iyanti.
Riddim & mix:Jah Billah.
Additional production & dub: Buds Kru.

MSDT 007 JAH BILLAH FT IYANO IYANTI – MAKE IT RIGHT

MSDT 007

MSDT 007 JAH BILLAH FT IYANO IYANTI – MAKE IT RIGHT

01 MAKE IT RIGHT (Original 2014 Mix)
02 BREAK IT RIGHT (Amun Breaks Mix)

Lyrics & vocals: Iyano Iyanti
Riddim & mix: Jah Billah
Mastering: Ras Bruno